@anjievix
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Here is the article on Visualisation and Aphantasia I mentioned:
Hi Naha!
I sent you an email with a ritual I put together from a few other things- including some stuff learned from you. I was thinking for the Aussies that we would do this at some point tomorrow- joining the current f your own workings at 22 and across the world- we can’t all meet up but we thought doing it at a similar time would be cool?
I can also link it on Google drive if you think it might be helpful/nice for others.
I really would love for us to do this book together as it would be amazing to hear everyone’s thoughts and insight- The O Manuscript by Lars Muhl
From wikipedia:
Mise-en-scène (French: [mi.z‿ɑ̃.sɛn]; English: “placing on stage” or “what is put into the scene”) is the stage design and arrangement of actors in scenes for a theatre or film production,[1] both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. Mise-en-scène has been called film criticism’s “grand undefined term.”
So I mentioned Gregg Bradden in relation to the I AM statement at the start of chapter 13- this is a form of practice of using these words as “codes” (or ritual words) that I thought might interest some of you. The book is “Wisdom Codes: Ancient Words to Rewire Our Brains and Heal Our Hearts”.
Also here is a bit of the breakdown of the 72 letter name of God from a Jewish Kabbalah point of view and I know Lon Milo Duquette sort of expounds on this somewhere as well:
So the rose cross ritual I mentioned- here is the format of it and it’s a GD ritual that came from Rosucrucianism:
and then mixed with the Qabalistic Cross to me is that last part of Chapter 12
Of course Tiphereth is more light but to me the sun/light/fire/god association is all sort of congruent.
Re: Chapter seven and solar energy being the perfected state i.e Divinity in Humans- I’ve been talking about the concept of Fire= God with a friend and cited these references on relation to this- also again reflected in this chapter. Just some extra stuff for anyone that’s interested.
From my own grimoire notes:
“Rituals often involve an eternal flame, and kindling a fire is equated with birth and resurrection. Can be spiritual enlightenment, sexuality – “light my fire” and fertility. Fire can also be seen as a force of purification
The eternal flame is often used to represent the soul or the spirit. It is thought to be something that never dies and always remains burning. This is why we often see fire being used in funerary rituals. The idea is that the person’s spirit will live on forever in the form of a flame.”
And from Agrippa:
“The Celestial and bright Fire drives away spirits of darkness; also this, our Fire made with wood, drives away the same in as much as it hath an analogy with and is the vehiculum of that Superior light; as also of him who saith, “I am the Light of the World,” which is true Fire, the Father of Lights, from whom every good thing, that is given, comes; sending forth the light of His Fire, and communicating it first to the Sun and the rest of the Celestial bodies, and by these, as by mediating instruments, conveying that light into our Fire. As, therefore, the spirits of darkness are stronger in the dark, so good spirits, which are Angels of Light, are augmented, not only by that light, which is Divine, of the Sun, and Celestial, but also by the light of our common Fire. Hence it was that the first and most wise institutors of religions and ceremonies ordained that prayers, singings and all manner of divine worships whatsoever should not be performed without lighted candles or torches (hence, also, was that significant saying of Pythagoras, “Do not speak of God without a Light”), and they commanded that for the driving away of wicked spirits, Lights and Fires should be kindled by the corpses of the dead, and that they should not be removed until the expiations were after a holy manner performed and they buried. And the great Jehovah himself in the old law commanded that all his sacrifices should be offered with Fire, and that Fire should always be burning upon the altar, which custom the priests of the altar did always observe and keep amongst the Romans.”
Egregores or The Path of Alchemy by Mark Stavish
The Middle Pillar by Israel Regardie
How To Understand your Bible by Manly P Hall
The Alchemical Nights by Riccardo Villoanova (MRA)I’d also suggest The Ritual and Doctrine of Transcendental (or High) magick by Eliphas Levi; fair warning, it is DENSE and would probably take a lot longer to go through as a book club because the doctrine part is FULL of research wormholes- might even be worth just doing the doctrine part for all the research holes as the ritual section is a lot of foundational old school magic stuff.
Just an addon to the whole sound discussion- a quote (one of my favourites) from Dr Hans Jenny who first coined the term Cymatics (which also relates to sound and its movements/effects on things):
“”You can see all this…
And watch it before your eyes
And everything owes its existence solely and completely to sound.Sound is the factor which holds it all together. Sound is the basis of form and shape. Put that into the modern idiom; – an experiment of your imagination – and say into the great voids of space..
There came a sound, and matter took shape…
Please watch carefully.”Here is the PDF of the Trestleboard, as well as a second (the significance of numbers and letters) that you may all find interesting in light of the numerological aspects of this book.
10 commandments and 10 sephiroth
Here is that link I mentioned – there is a lot more to be found but this page has a bas ic breakdown taken from -The Tower of Alchemy: An Advanced Guide to the Great Work
by David Goddard.
